“Now you can fly down to earth”

Amazed at how you can understand the idea of ??photography poetically, pleasantly surprised by how a digital camera can be understood as an object to “touch the sky with your feet remaining on the ground” … combine the two ideas, a dreamer and the other moretactile material to make a wish, live, real … that’s what the Nikon D70 digital SLR with wanted to achieve and implement for their customers …

Yet in the silence of peace one day you find yourself surrounded by nature without borders …
I looked at the horizon spread watercolor sky.The big yellow sunflowers fissavanno reigning in the deep blue sprinkled with white flakes.

Impossible not to immortalize this poem made landscape.
“Pass me the D70 … I want to create a masterpiece.”

“It comes to experience new horizons.”

It’s like you are holding a jewel that can give you emotions that have no end, not able to have real boundaries but manages to go beyond the imagination.The “power of desire” locked in an object that can not be described as such if not as “eye devoted to infinity”
Easy to handle and live with great lightness, is full of intuitive controls that result in a bewildering simplicity, its quality still is not comparable to other digital D70.

: QUALITY ‘:
“After all it is a Nikon … and you see … is not it?”

And ‘an expression of power over the imagination intuitive, reliable and valuable, can not be in his hands can not work in some way to envy those who do not know the size of this object.
Faster in the first step, high-performance, and always brilliant in the masterpieces that is able to live in a few moments from the clicks.

Exciting … haunting … the drug is needed to excite the creativity lazier …
Versatile, relies on a quality that goes beyond the imagination.Taking and reworking of the image are most refined visual feast.

At the bottom is a trademark, the Nikon, and a guarantee of unquestionable “class” quality …
: DESIGN:

“It ‘a wonder!”
Needless to hide an object as a charm that the D70 known to have eyes more sensitive to the idea of ??”beauty” that each of us has as its point of aesthetic evaluation.

Stylish, ergonomic design, every part of his body is “diamond” buttons to intelligently and functional giving rise to a strong intuitive to use … a few mechanical eyes of this extraordinary quality digital spend exciting!
And then what do we mean his gaze turned to a world that surrounds it?His schermetto LCD is sharp and full of very bright … a mirror of the real reality.

: RESOLUTION AND SENSITIVITY ‘:
“The emotion of the details … the thrill of a small hand-painted”

The resolution of the D70 is equal to 6.1 effective megapixels and is equipped with a DX format CCD: all in favor of a wealth of detail and sharp images and fascinating.
Its focus is fast, highly accurate and perfect … all on a Autofocus Nikon Multi-Cam900 split over 5 areas.

adaptation to changing environments, and of these it is with praise.His sensibility is sublime and can vary from 200 to 1600 ISO.
Extraordinary …

: SPEED ‘:
“Flash!… And is immediately image … ”

the speed of the D70 is one of its strengths.
Always ready to shoot, does not miss important moments … was created to capture unique moments … she can one-click to paint our emotions bigger (0.19 seconds)

Its speed is found in oltrettutto image storage in the same CompactFlash (memory card).
Fascinates as the D70 is able to “capture” as many as 12 consecutive frames with an average of 3 frames per second.

CONCLUSIONS:
“I want to create, work, travel, see, imagine, capture, move, express, impress, strike, surprise, passionate.I want excellence, the dream, the myth, the power, versatility, ease and professionalism.I want the freedom and opportunity. ”

It is really easy to make a fermimmagine and enjoy a unique memory is easy to feel alive … watching something through a mirror that knows how to give you feelings that go beyond the imagination … it’s easy to be leaders of the beauty that surrounds us … it’s easy to be ourselves expressionof a poem … it’s easy to become image every art, every shot, every passion, every memory in my hands … if you have an eye that takes the name of Nikon D70.
: TECHNICAL SPECIFICATIONS:

- Bundled Accessories: Rechargeable lithium-ion battery EN-EL3, quick charger MH-18, Nikon View Software CD-ROM, Video cable, USB cable, LCD Monitor Cover BM-4, body cap, battery holder for CR2MS-D70, AN-D70 strap and eyepiece cap.
- White Balance: Manual / Automatic

- Package Contents: Nikon D70 + Compact Flash memory card (512MB)
- Recording Format: JPEG, RAW

- Interface connecting to PC: USB
- Memory: Compact Flash card (Microdrive)

- Focus: manual / automatic
- Weight: 600 Gr

- CCD Resolution: 6.1 Mega Pixel
- Image resolution: 3008 x 2000 Pixel

- Sensor: CCD
Included with the Nikon D70 Nikon View software.

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The boundaries between amateur and professional are blurred in the photograph.Many amateurs make absolutely professional pictures and some even earn some money with photography.Equally fluent may be the classification of the Pentax K20D.She is sure to have the amateur prize, but offers features and performance that are ideal for many professional applications, from the dust and splash protection to the overall very solid and high quality workmanship.
The picture quality is m.E.The most important thing about a camera – and this makes the K20D nothing to be desired.At low ISO settings up to A2 prints are not an issue.Up to ISO 1000 the images are still of such high quality that they can easily print up to A4 – depending on the subject (yes noise is also depending on motif), it may be even greater.Deductions in the small standard sizes up to 13×18 cm can be done well even with ISO 3200 shots, finally, there were film grain in analog times …
What particularly impressed me the K20D (in addition to processing and image quality) are mainly two things:
- The most simple and, for many years of film photographers, completely logical operation, coupled with an excellent, large and bright viewfinder
- Its low price of accessories, including and especially the lenses

Pentax is built like any other manufacturer, even poor and middle magnificent lenses.But the supply of high-quality models is now big enough, especially at wide angle and macro-range almost uniquely comprehensive that’s left are nothing to be desired.Anyone who complains about the lack of long focal length lenses, can still the 2.8 / 300 and the 4 / 600 (FA-models) on Pentax Japan relations.In addition, the third party, such as Sigma and Tamron and the Pentax photographers rediscovered and offer high-quality lenses.

The integrated Verwacklungskompensator (Shake Reduction) works very well in practice, by the way, if I could not even win +4 time steps with it.But with careful handling camera with 30 mm focal length about 1 / 8 s without shaking at 300 mm focal length, or about 1 / 125 second, sometimes even 1 / 60 s in there.That’s great, because one must not forget that you must also take into account the crop factor.The old rule of thumb is that the longest exposure time for sharp images should be equal to the inverse focal length must be adjusted so well.

Was at a film camera: with a 200 mm lens is 1 / 250 s as ‘safe’, then for a K20D (as with any APS-C camera) 1 / 250 sx 1.5, ie 1 / 500 s (rounded toall levels) on the safe side.Since SR makes it clear positive impact.

That the autofocus can not keep up with the most competitive products is really fast in the K20D only for the AF-C mode, ie, for the continuous AF tracking.Here the difference is noticeable to CaNiOly – but not dramatically.Otherwise, the AF works fast and above all extremely accurately – you just need to know what you’re doing, because AF is not exempt from reflection.

There is much more to say, but I do not want to exaggerate here.Those looking for a new camera and are not bound by existing lenses to be CaNiOly should try at least once the K20D!

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Nikon’s first FX format camera, which allows recording of HD movies, provides photographers with a hitherto unprecedented degree of creative flexibility.The D3S features a highly sensitive CMOS sensor FX format with a resolution of 12.1 megapixels and a standard sensitivity range from ISO 200 to 12.800 (extendable up to ISO equivalent of 102 400 (Hi-3)).The D-Movie function allows recording of high-quality movies with stereo *.The option “Save Image Selected” contributes to Produktivitittseteigerung by allowing the storage of individual phase images from a movie as a JPEG image.Nikon’s AF system with a proven 51-point offers high sensitivity in low light and superb performance in the pursuit of fast-moving subjects.A sophisticated image sensor cleaning function reduces damage by dust spots.Three different image formats provide even more flexibility when shooting.The EXPEED image processing engine and a large buffer memory enables continuous shooting at up to 9 frames / s.With its rugged, environmentally sealed housing made of a magnesium alloy defines the D3S the boundaries for professional action photography.
* Compatible stereo microphone required.
Large pixel pitch: the advantages of FX format with 12.1 megapixels
In order to surpass the benchmark of the legendary D3 yet, Nikon’s engineers have designed the image sensor of the D3S scratch.The internal structure was further optimized, while the pixel count and large pixel pitch have been retained to provide an even greater latitude in high ISO sensitivity.This ensures that the D3S captures light like no other camera in front of her and plays *.This in turn contributes to an even higher signal to noise ratio and a wide dynamic range.The result is unsurpassed image quality across the entire extended ISO range – for both still images and for filming.In combination with an unsurpassed precision of NIKKOR lenses, the D3S offers with its FX-format image sensor, a new quality level.
* In the area of ??digital SLR cameras, as of September 2009

D-Movie: new dimensions for your creativity
Whether in good or in bad lighting ambient light – the D-Movie Mode, Nikon offers a unique variety.The Motion JPEG format delivers movies in high definition (1,280 x 720 pixels) at 24 frames / s.The large selection of NIKKOR lenses and the possibility of free choice of aperture offer in conjunction with the large image sensor in FX-format low-noise images with a brilliant bokeh.”The Mode” video with high sensitivity, you can capture scenes that are too dark for your own eye, get in touch with sensitivities up to ISO 102400.The footage can easily be cut inside the camera by selecting the start and end point.You can even save selected images from movies for instant printing and instant publishing on the Web as JPEG files.The D3S has both an internal mono microphone as well as an input for an external stereo microphone, with the high-fidelity audio recordings.

Image sensor cleaning: secure protection
After an extremely hard tests, the engineers of the Nikon Integrated Dust Reduction System have been developed and is also high expectations.The Image Sensor Cleaning function of the D3S produces vibrations in four specific frequencies for optimum dust removal.The function can be set so that they are either getting on and off the camera is activated automatically or manually.

EXPEED: Nikon’s comprehensive approach to high-quality digital photos
Nikon knows that image quality, precision and speed for professional photographers of equal importance.Through systematic optimization of these key features was EXPEED, Nikon’s fast, comprehensive, energy-saving concept of the camera’s internal image processing.The high detail of the output data obtained by 14 bit and 16-bit image processing chain, so that the enormous creative potential of NEF (Nikon Electronic Image Format) can be fully played out.In conjunction with the image sensor FX format of Nikon D3S produces an exceptional tonal range without tearing.Expect finer tonal gradation in highlights, even in extremely bright scenes, and colors that were previously considered incompatible – for example, skin tones and strong reds, which can now be reproduced without over-saturation in a recording.
Active D-Lighting rescues tones in highlights and shadows
The days when you had to choose between signing voltage during the exposure in the highlights or shadows are gone.The Active D-Lighting of Nikon regulates the dynamics of large high-contrast shooting situations automatically, so details are cleared in the shadows and lights will remain.Before the recordings, only the desired setting – Auto, Extra high, High, Normal, Moderate, from – to choose.The setting of “Auto” automatically controls the degree of regulation.You can also take an exposure range at different optimization levels of Active D-Lighting with up to five images and afterwards choose the best result.
Reduction of lateral chromatic error: sharpness at the corners
The D3S corrects color fringing caused by chromatic aberration at the edges and, in particular, can occur in the corners.They improved the image quality of the entire recording.Because lateral chromatic aberrations are corrected regardless of lens type – whether telephoto lenses, wide angle, non-CPU lenses and other types of NIKKOR lenses – this important aspect of the D3S contributes significantly to the significantly enhanced picture quality that professional photographers demand.
Picture Control: Individual tones and colors
The powerful and intuitive tool for image enhancement helps to change the look of your images and adapt them by comparison of sharpness, saturation and other parameters of your creative goals.This approach is similar to the selection of certain types of film depending on the actual recording situation.The D3S has four pre-installed Picture Control settings, which are individually tailored and as a new custom configurations that meet your personal preferences and consumption habits or certain shooting conditions can be stored.Custom Picture Control settings are fast, powerful and easy to handle and can be easily copied to other cameras.

Live View button
The dedicated Live View button provides direct access to two Live View modes: The Tripod mode for accurate and quiet autofocus operation, and the freehand mode for more flexible shooting positions.To optimize the applicability, also the rate of AF was increased by contrast detection in tripod mode.
Quiet shooting
Especially handy in environments in which discretion plays a special role.Turn the mode dial mode “Q” and reduce clutter by significantly during the recording by the mirror movement resulting noise.
Two CF card slots
Leverage the second card as backup, simultaneous recording of all data on both cards (backup), simultaneous recording of JPEG data RAWund on separate cards, transferring data from one card to another.Even the selection of a specific subject for the recording of D-Movies is possible.

As an ambitious amateur, of course you dream of it, so can have such a case once.I must confess I have none, but a good friend, photojournalist, her character has several interesting bodysuits in the portfolio.And so I asked them to try again with the D3s according to lens extensively.Many thanks go to you!

Please forgive me if I try lowbrow as you evaluate a professional body.

When I have a Nikon Lens AF-S Nikkor 70 – 200 mm, 1:2.8 ED VR II, get this loan.

I’ll begin with the thrust of this body element, which is not clearly addressed to the amateur.The housing is damn damn big and heavy.Nothing for the little afternoon trip also.

But first things first:

Nikon D 3s, one of the name sounds, a synonym for the highest standards in photography, they can satisfy the expectations of an amateur?

Haptics and processing

The case suggests with some 1.3 kg (with battery) to beech.It is extremely processed triamines.The body is effectively protected from a full-metal-magnesium alloy, and against almost all the ravages of nature, hence the heavy weight.The rubber coating is applied fairly thick and ensures proper grip and safe handling.The copy was made available to me already a few battle scars from the tough professional use, but which did not detract from the functionality.Neither deep scratches, dings and dents inside the expensive life can have anything to you.A safe stop of camera, you can make it right with her distaff!It would have to give it extra stars.

It is built for tough daily reporter in desert and cold, hence the high cost price.

After an acclimatization period, I could cope with the weight.In combination with a bright lens fast, up to 5 kg and above are on the scale.A folding screen is completely unnecessary, and then the extent of it in advance, Live View really well, except for tripod work.

The grip size can be described as gigantic.For large hands a blessing photographers, but also urgently necessary to secure the handle to counteract gravity.Additional handle?None.The body is shaped so that it is already firmly installed – which is not formulated correctly.The housing is designed to succeed even without vertical shooting accessories.Accordingly, the dimensions are pretty neat effect (160 x 157 x 88 mm), a D next to it like a 90 “plastic toy”.I own a D 90th ..

Give it 6 stars, the D 3s they would get in any discipline of the body, hence 5 stars +.

Equipment

I do without too many details, these can be read in any prospectus.

Only so much.In addition to numerous buttons and switches, niko typical functional and distributed with the familiar intuitive interface, which already has a “simple” D 5000 is coming very quickly, you feel at home, everything looks familiar.So three screens are available for the task easier.The Haupbildschirm for image is 3 inches tall and features with 921,000 pixels (in other words about 307 000 RGB pixels) and the necessary high resolution.

As a novelty in the defined class of full-frame Nikon D offers only the 3s a video recording function, neither the D nor the 700 have such a 3x D on board.Ok.I myself use this opportunity not an SLR.

A housing internal flash is not installed.Since it is a professional device, the manufacturer goes out of it that are appropriate use of external flash units.The flash control, however, belongs to the best that money can buy currently.

With shutter speeds of 1 / 8000 sec and up to approximately 9 frames / sec at full resolution and about 11 frames / sec in the reduced resolution of 5 MP with the D3s SLR `s the fastest in the global market.

Under the big hump is a monstrous and quality real glass prism.The thick metal skin protects the delicate prism from damage.The field of view covers 100% at 0.7 times magnification.The viewfinder itself is fantastic bright and contrasty, a dream.The focusing screen can be changed, which provides the only remaining D 3x.

In addition to fading, time and automatic program can of course also choose the manual mode, scene modes are sought in vain in this class, however, it is a professional body.

The autofocus works with 51 points and 15 cross-type sensors is extremely fast and accurately.

Even the top-documented exposure standards, namely a “3D Color Matrix Metering” with 1005-pixel RGB sensor.

Mention is the famous Q-mode!Making a good quiet triggering one of the mirror, which is favorable at conferences, events or wildlife photography.Nikon min guaranteed.up to 300,000 closing operations, which calmed the reporter’s heart.Of active pixels reporters I know that for exampleare shot in a single football game around 2,000 shots in order to ultimately sell a good picture.The closure would also withstand a lot!

-Camera image editing is designed more spartan, but all important parameters can be changed and a very good RAW processing is also included, the professional uses appropriate programs on the PC anyway.

I would like to point at best, the connection of two high-speed CF cards (eg 60MB/sec), SDHC card would be overwhelmed by the speed of data processing and would unnecessarily slow down the D 3s.

Given the professional focus and manual controls, there are numerous full 5 stars.Hobby photographers will miss scene modes and more extensive image editing capabilities, as I said, for this target group, it was not built.

But now the most important thing!

Image quality depending on the lens

The high standard of APSC cameras from D 90 and D 300s I was looking forward to the imaging performance of CMOS FX sensor with 12.1 MP.The FX sensor corresponds to the “full frame” that is, the angle of the traditional small format, as we know it from before.APSC sensors are much smaller than the classic small screen, thus calculated from the differences identified by Nikon DX sensors indicated a crop factor of 1.5.

I could now endure me in endless beautiful words and songs of praise to bring you closer to the image quality.Do please assume that you will meet the highest demands.However, one must differentiate, namely by the intended use.An almost identical D 3x contrast, offers an even much finer and experience high-resolution rendered image, thanks to an adjusted full-frame sensor (with reduced light sensitivity of ISO 50 to max. ISO 6400) with a huge 24 MP.This is designed for high-definition studio and commercial photography.In that regard, the duel D 3 (no “S”) then already “almost” with professional cameras like Mamiya and Hasselblad (but both cameras in medium format segment as far as the comparison limps a little).Based on the application of a D 3s, namely the use of harsh press around the globe, is the picture quality far beyond what is actually from SLR’s in the APSC segment knows.

But first things first.The 12 MP sensor is measured by its number of pixels to describe already almost as “pathetic” when pursuing other hand, the pixel Battle of other brands.But the Nikon engineers have something in mind.By the apparently reduced number of pixels on the FX sensor is quite large, a greater distance from each of the pixels.This distance provides huge advantages over the dichtgepackteren sensors themselves.Reason, since the signal to noise ratio is favorable, so a huge dynamic range can be ensured.What the photographer has it?An extremely low-noise image and the ISO up to the highest worlds.A taste?The D 3s creates over Extramodi (boost) to ISO 102 400!Actually, world record, but Canon takes at least according to the paper.However, since the scores D3s with a large pixel pitch for allegedly lower resolution, she manages the feat that images are of the highest ISO rating but covered with noise components, but still usable.Say, even in dim twilight really produces this gem usable image results that actually would be possible only with Flash support.At Canon, the imaging results with the highest settings are completely useless and noisy, so the high ISO value for Canon only bare waste and advertising (personal rating).

Conversely, the D 3s able to ISO 6,400 fantastic images, pictures correspond to the recording with the D90 at ISO 800 – without words!

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With a magnesium alloy body size is not excessive, the Olympus E-1 gives a great feeling of strength and agility.The controls are in place and all you need is always at hand.I bought the E-1 in January 2005 coupled to an 14-54 Zuiko PRO Series by taking advantage of a special offer for students unioversitari which included 1,000 discount, so for 1100 I brought home something differentthe usual D70 or the 300D.
The first approach was dramatic because I had lost the habit of using the optical viewfinder pentaprism (the E-1 is very bright), other quirks was that all the exposure compensation or color profiles in minoltaremained in the LCD that is always visible in the electronic viewfinder, but here is always a good idea to give controllatina the external LCD to see ISO settings, exposure compensation, etc. …
Once you are familiar with these little details, the E-1 gives satisfaction; is fast and accurate autofocus, burst shooting allows you to capture the scene more unpredictable and the picture quality is superb.Of course, the values ??+ high ISO noise is heard, and especially during the long night exposures should use the noise filters can be activated via the menu.
Battery life is really high, I never ever stay standing even if the built-in lithium battery has a capacity monstrous (1500mAh), I wonder why given the evolution of the stylus, olympus have decided to use the stylus 42400mAh Ni-MH might be, can be found everywhere, they cost much less and allow it to tackle emergency situations …
As already mentioned, the controls are all in place and give a good feeling to the touch, a distinction should be made to the shutter button that, for me, stroke is too long.
On the software side of the question changes, olympus evidently thinks that the 2000 List of the machine are not sufficient to have a full version of Olymps study, so he decides to put on CD-ROM a trial version of Studio is a full of the viewer that does little moreto view the RAW (for other more slowly than STUDIO), market choices that I understand less and less.
On the other software installation has been laborious, obviously the service pack 2 of XP do not like the software, without SP2 installation is simple and fast and works well with both firewire and usb 2.0.

Last thing, if you intend to buy the E-1 ready to attack from purists Canon and Nikon (with respect to the 300d is an abyss, even wanting to consider the objective on the other … I do not know why I never triednothing more.), and above all ready to buy a bag and a nice padded sufficiently for at least a gigabyte CF ….

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Forprofessional images

Benefit fromnewimagequality, performance andhandlingthat meet therequirementsof truephoto enthusiasts.Makeflawlessshootingand FullHD video withoutstandingresponsiveness, andplenty of roomforcreativity.

Onthedetails that count

The high-resolution(24.3megapixel) CMOSsensor assuresdetailpacked pictures withexcellent contrastand gorgeous colors.ByExmortechnologyto digitizethe image noiseis minimized.The result isflawless, beautifulimages.

The world’sfastestburst shooting

Holdfast actionscenes with aseriesof upto 12 imagespersecond in fullresolution.Profit from thefastestcontinuous shootingof all cameraswith interchangeable lensand APS-Csensor(August2011).

Youhaveyour picturein our hands

Thanks toeasy accessto key functionsand buttonsfor individualassignments, you can nowgeteven more aware ofbeautiful images.Buttonson the front andrearallow rapid adjustmentsand a seconddisplayto help youin determining thecorrect exposureandothersettings.

Stunning HDVideo

Holdthanks to aprecisephasedetectionAF withmoving subjectsevenin clear, detailedFullHD video.Createbeautifulbackgroundblur effects,and adjustfocus and exposuremanually.With aprogressive recordingmodedo you managetoproducemovies inyourvideos.

Robust, stable performance

Too challengingtaskseasily goout of hand.Themagnesium alloy bodyis rugged, yetlightweight andbuttons anddialsarefrom dustand moisture.The newshutter has been testedto approximately150,000 cycles.
After a long wait, I can now experiment since a few days with the new Sony Alpha77.

First of a few basic things:

Order from Amazon Marketplace dealers on a Sunday delivery was already laying out on Tuesday, that’s fine, the price has passed, especially since the camera is very, very difficult delivery.

Packaging and contents, as always with Sony, everything in it, neatly described, great.

The Alpha 77 was ordered as a replacement for my now elderly Alpha 700, as well as for my not sooo old Alpha 580th
When I use a Sony G lens 70-200mm F2.8, Sony Zeiss 85F14Z, and a Sigma 24-70 F2.8 EX DG one.

The operation of the Alpha77 work for an already off to Sony cameras sneered easy.But even for a novice, these are very comprehensive manual, and all accessible directly from the menu of the camera aids very helpful.

All important controls are now available again with the thumb and can be operated after a short blind.Unfortunately this was possible with some advantages and not between models.A real step forward!

The display on the top of the camera is informative and can also be illuminated.All functions such as aperture, shutter speed, white balance, ISO, etc. are accessible via fixed keys.An awkward transition from the menu is still possible but not necessary, even the real progress.

All these hotkeys can be changed in menu.Any function that can be adjusted via the menu can be individually assigned a key.This means for example, the functions shutter speed (front wheel) and aperture (rear wheel), trade, or a wheel, assign the exposure setting.There are virtually no restrictions.

On image quality was told only this: The camera uses a 24 megapixel sensor, images are razor sharp, even at magnification on the camera screen, and later on the computer.Compared to the Alpha 580 and Alpha 700 is a noticeably better picture can be seen.Resolution, sharpness, detail, edge illumination of the images are significantly better.The previously partially at Alpha 55 (SLT cameras) criticized lower light intensity compared to normal DSLRs (due to the partially transparent mirror), is no longer perceptible at Alpha 77.The pictures are very well illuminated and even pictures in darkness have a very high level and thanks to the many programs and automatics, and very little to no noise.

Video recordings, the camera in HD at up to 50p or 60i.The built-in image stabilizer performed outstandingly, so that a perceived wobble even without tripod or rig little.The autofocus is also tracked in the video when you want it, so that a manual focus as the Alpha 580 or other competing models is not necessary.

Now some questions about getting used to and probably one of, if not the main point of this camera.There is no optical viewfinder more.As before, a finder is in the usual place, as the camera, but no “folding mirror” longer used, but is a part-permeable, the previously common concept of an electronic viewfinder optical viewfinder gone.The detector consists of a tiny OLED display, it covers 100% of the actual photos, what you see on the display so that’s what ends up in the photo.Nothing is missing, or as most know, is also on the photo, although it was not visible in the viewfinder.Now even a few things to the viewfinder:

Advantages:
- High Resolution
- Anything that can be displayed on backside LCD can also be displayed in the viewfinder.This includes the menu, and the view of images and videos in the viewfinder, which is very handy for me at least!
- Unlike a real optical viewfinder shows the electronic viewfinder, the images exactly as they would be seen on the TFT.Many may know this, especially in the dark, you see almost nothing of the subject through the viewfinder, but on the TFT can see the picture.The new viewfinder is used by Sony for this accordingly.

Disadvantages:
- You have to get used to it that the optical electronic viewfinder with relatively dark subjects sometimes rushes extremely strong.Which can definitely be an advantage, because you walk through the viewfinder sees anything, can be very annoying in the beginning, because it is feared that the images will look like noise.I can calm down after a day of acclimatization you have a good feeling about it, I’m already so great and I appreciate the right to benefits as a considerably higher than this one “disadvantage”.

In addition, there are many new features, such as the already built-in lens correction, which are used frequently later in RAW converters, or image editing programs.Of course, the type of lens support this function.
For me, a true highlight: The camera offers a feature are manual focus, with the objects that are focused (ie sharp) edged with a selectable color.You can choose between 3 different colors and select strengths of the border, the more lights the color, the clearer the focus lies in the motive.

Something bad, I find that only one slot for an SD memory card or memory stick alternative is available and no CF cards are supported.Fast moving images of 12 frames per second, so you have to wait a tiny moment, until you can see the first picture because the camera needs a little time to store up to 30MB large RAW files.CF cards would be better here possibly due to the higher speed, but would also require more space in the camera.Perhaps future help faster SD cards.But you can say that this is a luxury problem that persists no more like 1 or 2 seconds.

All in all, Sony camera with this one I think, succeeded very large litter.I’m sure they will find many followers and making the competition a few clients will dispute.The long wait for a semi-professionals – professional camera successor has been worth it.For me that is a strong buy recommendation for each Sony camera equipment owners and a worthwhile consideration for owners of other manufacturers, because when you drag the new purchase of their equipment into consideration.

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Sale clinched it for me:
-The compact dimensions of the camera AND the lenses and the light weight
-The relatively low price
The high-quality appearance (design & processing)

After I use the camera a few weeks now I can afford one sentence slowly.The other reviewers have already written, and much much correct about this camera and the image quality.I would like to add some points.It is solely to criticism, but you should not misinterpret: I think the camera well in spite of everything!

Portraits
Think about what they need the camera.Because not further be discussed physical conditions, it is for normal user like me, and maybe even you, with this camera and the “conventional lenses” (see above) rather difficult, portraits to make so that the background is blurred nicely, while the person is sharply(so-called bokeh).The cameras from other manufacturers may be better with a larger sensor or you would have a more appropriate basis of additional Olympus lens to purchase (eg 50mm)

Low-light situations
The kit lenses are good, but recommended for low-light situations without restrictions.A (nonexistent) image stabilizer would improve the results.Also keep in mind in this context that the camera flash in dark environments, the focus before the shutter can be used to (instead of a red auxiliary light as with other manufacturers).This can be really annoying.

Live View
The Live View feature sounds impressive, but is nevertheless far from being as practical as a compact camera, yet it seems because the mirrors must be folded before the first release ever.As a result, it has one, in my opinion, quite long and unacceptable “shutter lag”.I now use the viewfinder again.

What kit should you take?
The 25mm pancake lens is a relatively compact camera with DSLR-combination.However you have is not with the Pancake zoom and the image detail is not well suited for each situation.The picture quality of this lens is also my opinionno better than the 14-42mm zoom.And for the price of the 25mm pancake alone you already have a compact camera.You can actually fit in your pocket, what with the 420, despite its “relative” compactness unfortunately not doing so well.
I personally find the Double Zoom Kit the most sense.The included lenses are good and very light and compact.
To whom it matters less to the weight that can buy the camera separately and to the excellent 14-54mm or 12-60mm.Over the 17-45mm I can not say anything, I do not know.
Side note: The cheaper lenses work in manual mode all the way, but not mechanically “by wire”.I.e.when the camera is off, you can not zoom around online to advance to different compositions tested.

The viewfinder
The viewfinder is smaller than many other DSLR cameras.The size of this disadvantage is everyone must decide for themselves.But there is a “magnifier”, which you can plug in place of the eyepiece, which magnifies the viewfinder image by a factor of 1.2.

The worst photo is the way, what was not even shot.Finally, I would therefore like to stress that the camera myself because of their ease of use and excellent workmanship always attracts and invites you to play with, or photography.What could be more commendable to say about a camera?

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For professional images

Explore a variety of new artistic possibilities.Now you can be extremely high-quality still images and HD video playback at ultra-fast response times and versatile, user-friendly features to create and manage.

Explore your artistic side

Use many creative modes without a PC.The Picture Effects feature provides full editing capabilities, such as partial color filter, poster, retro, high-key, mono-or toy-camera effects.Explore the results of already when photographing or filming in live view mode.
First-class shooting

Hold fast action scenes with a series of up to 10 frames per second in full resolution.Whether action-packed sporting events and expressive portrait series – this way you will not miss any important moment.

Great pictures from any angle

The LCD screen tilts up or down and thus provides for viewing in different shooting positions.This feature is especially useful if you keep the camera close to your eye, for example, if you have a group photo shoot from an elevated position or go for a good photo into a crouch.

Stunning HD Video

Hold thanks to a precise phase detection AF with moving subjects even in clear, detailed Full HD video.Create beautiful background blur effects, and adjust focus and exposure manually.With a progressive recording mode do you manage to produce movies in your videos.
Rapid acquisition of up to 12 images per second

Hold fast action scenes in high-speed continuous shooting at up to 12 frames per second
Moving objects in the image always sharp thanks to continuous AF with phase detection
High-resolution OLED Tru-Finder or LCD screen for quick Live View shooting
Never miss a moment thanks to minimal shutter lag

Professional HD video recording

Highly detailed Full HD video recording
Razor-sharp footage with 25p or 50p progressive recording modes
Larger APS-C sensor for interesting depth of field effects
Moving objects in the image always sharp thanks to continuous autofocus
Manual exposure modes controllable like a DSLR camera
Comfortable design selection in the Finder or Tru-OLED LCD display
Recording with high-quality digital stereo sound
Partially permeable mirror technology

SLT’s outstanding technology from Sony is the bridge between optical image sensor and AF sensor
The movable mirror is replaced by an immovable, to allow continuous shooting at up to 12 images per second
Fast, high-precision AF with phase detection, even with HD movies
Live image preview in real time at full resolution in the viewfinder or the LCD
The mechanism allows easy, compared to a traditional digital SLR, a compact, lightweight and handy camera housing

Very high quality images

Exmor APS HD CMOS sensor for detailed images with 24.3 million pixels
Ultra low noise BIONZ processor, thanks to photos and videos
Advanced shooting options, thanks to exceptionally high light sensitivity
SteadyShot INSIDE against camera shake in handheld shooting
Improved display options

Selecting and focusing of motives and ready to view and edit images on the high-contrast OLED XGA Tru-Finder
Easy shooting from any angle, thanks to a swiveling LCD displays in three directions
Every detail in the eye with 100% field coverage in the OLED Tru-Finder or on the LCD screen
Changes in real-time preview of the picture settings
Reviewing recordings using selectable information and digital displays

Even more interesting recording options

Playing Panoramaaaufnahmen on your BRAVIA TV
Recording of 3D Sweep Panorama
New image effects for artistic freedom
Auto HDR for strong light-dark contrasts
Creating a low-noise image by the automatic combining of high-speed continuous shooting
Geographical classification of pictures and videos for viewing on a BRAVIA television or display in-line cards (select models only)

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I could not, for level playing field, also feel bound to review the Olympus high-end.Here then something on the legacy of the E-1, the new flagship E-3 with the Four Thirds Standard.Let’s just say that finally the system 4 / 3 is equipped with a flagship professional could not regret the golden age of the M series (we’re talking about the beloved film … rest in peace!).
According to Olympus, the E-3 incorporates the fastest autofocus in the world.It certainly is among the fastest SLR with its 5 frames per second and a buffer that gets down to 19 photos in Raw format!
I add that it is a very compact camera, weighing considerably less than the equivalent Nikon or Canon at home.
AUTO FOCUS SYSTEM
Let’s see why Olympus shouts at record speed.The AF system of this camera works on two axes, namely all the 11 sensors are “cross” (in SLR typically 1 to 3 are cross-type sensors, here are all crossing).It is therefore both horizontal and vertical linear sensors, for a total of 44 different surveys.The focus speed is given by the new Zuiko Digital SWD (Supersonic Wave Drive).
The system incorporates proven then the Supersonic Wave Filter, automatic removal of dust from the sensor that works by vibrating the filter over the sensor.This filter is placed between the shutter and the sensor, and prevents dust from settling directly on the sensor surface.Once the dust has settled on the filter can be removed by ultrasonic vibrations generated by the activation of the filter.I must say that is so powerful that you feel the vibration even in the hands!Unlike other camera systems, this also turns off the camera each.
The camera is stabilized, the device being powered by the SWD, which compensates for camera shake operating in two modes: one compensates for movement on two axes (x and y), while another stabilizes only the y-axis (the latter is ideal for followingmoving subjects during sports photography, because the movement on the x axis may be desired by the photographer to create a panning effect).The system works like this: a sensor (called “gyroscopic”) detects the movement of the camera, and induces opposite movements of the sensor to compensate for camera movement (horizontal and vertical movements, or only vertical, depending on the mode you), with the result that the sensor remains stationary with respect to the image.

The commands I have to say they do a little head scratching to those who, like me, accustomed to the classic Nikon commands (dare I say that I am there for a lifetime!), But they are very ergonomic because for most
Photographs for Olympus E3

Here is the front view camera
of them do not need to remove your hands from the hilt, commendable.
The sensitivity of the sensor goes up to ISO 3200.By a sensor so small we would expect the lower sensitivity, but we must also consider that as a professional camera are relatively few pixels (10 megapixels) for which the size of the pixel is not so different from that of other APS.Of course even at ISO 1600 produces images that can be used (although in my humble opinion does not compare, eg. With a full size as that of Canon Eos 5d), but the dynamic range down to 3200 too (the colors flatten) andthe noise becomes evident despite all the “cleaning” of the signal.

CAR BODY
This flagship has an excellent body of magnesium alloy waterproof, for use in all weather conditions.For tight I mean that is equipped with systems and seals that make it impervious to rain and dust.As mentioned above, this is an extremely compact body and lightweight, weighing just 810 grams and has dimensions equal to 142.5×116.5×74.5 (if you think that the Nikon D40 is an entry level SLR soo has dimensions 126 x 64 x 94mm!).This depends, among other things, from the fact that the sensor is much smaller than the SLR format “full”.Honestly I have never felt the need to have a body heavy and cumbersome to have sensations of “feeling”, while I very much appreciate his neck something that does not weigh 4 kg without lens!In the many reports (walking in the mountains, for example.) Weight and you feel you are suffering a lot.
SHUTTER
The shutter is tested to 150,000 shots (against 100,000 in many other competitors).The maximum speed is excellent, 1 / 8000 sec. Of course there is the laying B.The Sincroflash is fixed at 1/250sec, so it is easy to use when shooting in daylight where you need to lighten the shadows or maybe do a backlight.
It ‘can not only enter the 2s self-timer (to avoid camera shake caused by the click) but also the pre-opening of the mirror!Remarkable solution quality and attention to the professional photographer (amateur is so difficult for a picky to want to eliminate the risk that the movement of the mirror induces some rough … Many amateurs do not even know it is a mirror that is raised: -))

SENSOR
The Live MOS sensor is a 10 megapixel Four Thirds format.This is the standard sponsored by Olympus (which has created a consortium with other producers to promote their development) to offer something different from the format has always been used by film cameras, both APS (APS traditional non-SLR, as well as the compact digitalThe digital SLR is not full frame, which usually have a size of 24x16mm), the format is “full” 35mm (ie 36x24mm).The size of the sensor are very small, or 18x13mm, but the difference is also in the relationship basexaltezza, which is different as you can see (other formats are 3:2).In theory this should have a devastating effect on noise and loss of detail.However, it should consider the advantages offered not so much by the sensor itself, but from the “System Four” (four thirds indicates the ratio between width and height, which is precisely 4:3 standard TV sets of the old pre-LCD).These targets are constructed with a very high resolution due to particular production processes, thus ensuring that the sensor is fully exploited.Not only that, but these objectives have a building “telecentric” (or almost) which means an angle of incidence (= angle formed between the light beam and the sensor, in other words, we speak of Anjou in which the beam tiltgoing to hit the sensor) closely.The standard lenses, however, that in the past were built without giving too much weight to their resolving power due to the wide tolerance of the film, said these goals, as opposed to 4:3 of the objectives were and are constructed so that the light hitsthe sensor with a wide angle of incidence, which means the fall of light at the edges, as well as a reflection effect on the pixels adjacent to the pixel directly affected, and therefore in general a loss of detail, brightness and color fidelity lower.The image stabilizer built into the camera body of the Olympus E-3 is able to compensate – to that of the house – the effects of camera shake up to the equivalent of 5 stops.I say that does not go beyond the 3-stop, but will update the view on the point as soon as I can test it will be full and unlimited shooting.

LCD MONITOR
The monitor is a 2.5-inch HyperCrystal LCD, 230,000 pixels really very nice, bright, adjustable!This feature makes it very attractive, since it helps a lot in architectural compositions or otherwise in difficult shooting positions.The Live View function (now present on almost all digital cameras) facilitates shooting from or satin-earth, so if we combine this function with the adjustability of the monitor we get a unique versatility.It ‘can magnify images up to 10x on the screen to control your focus.Useful feature is the ability to check on the monitor what are the effects of Shadow Adjustment Technology (SAT), the balance
exposure compensation and white.It should be recognized for Olympus credit for having pushed all the competition to enter the LiveView on their SLR cameras, as was the first to mount on his E330.
WHITE BALANCE
The balance of this camera is definitely the best I’ve ever seen, is already an automatic system that works well and is unlikely to deceive, then the possibilities are endless manual settings.I believe that such precision is derived from the external sensor specifically dedicated to that function.And ‘possible to take a neutral gray card as a reference, or select the most appropriate balance using the Kelvin (3000-7500), there is a preset shade, cloudy, tungsten, solar, 3 types of fluorescent lamps, set for each axisRB or GM, store 4 custom settings, and perform with bracketing 3 frames in steps of + – 2, 4 or 6 mired!In short, a white balance all round.About bracketing, you can do on the flash bracket also very useful for those who can not adjust to this strange beast (the built-in flash actually can cause many headaches).

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The yes is true for all photographers who have an eye for the increased sharpness and brilliance, attention to edge blurring, enlarge sections of photos or just have fun on even better result.Not only the imaging performance of the previously existing e-mount lenses will be promoted, including the performance of old manual lenses is significantly improved.I have photographed in the last week with the same lenses under identical conditions compared with rows 5 and Nex Nex 5n and found a significant increase in sharpness and contrast dynamic behavior.Such a comparison series only work with fixed cycle in manual mode, since the two cameras in the automatic exposure very different.The Nex 5n uses e.g.much faster in higher ISO ranges before.However, really fast – except on paper and in the laboratory measurable milliseconds – the Nex not become 5n felt.

The No applies to those who were satisfied with the already existing photo quality, the camera mostly under daylight conditions, holidays or for use in Famlienfotos.Also, the Nex 5 is a very good camera, and when the photos are not next to each other, can also be very pleased with this performance.Who is not Fotoenthusiast, so not a perfectionist who is constantly on the even better resolution, the finer drawing squint (like me), is at the Sony Nex Nex 5 or 3 in good hands.

As for me, but, surprisingly, very excited about is the touch screen and a number of reasons.Firstly, of course, access to many functions in the menu is much easier, since one is enough tapping and you do not have click through via scroll wheel.This is much faster.A stuttering or poor response I have not seen.It works flawlessly.Then there is the ingenious function of the activated auto focus, which is defined by clicking on an image area to which the camera is set up, even when spooned over.This was previously only with shutter button halfway down to achieve rudimentary.And met the great touch screen to the task with image viewing, if you have enlarged the photo and would like to view individual sections by pointing a finger.

NEGATIVE:

Click on the video: Yes, it exists.One from Asia, the Nex times taken apart and some small metal rods held responsible, which moves in loose housing with shaking.This is an own goal from Sony, as there are many potential buyers who would be particularly interested in the properties of this enormous video camera deters.But let’s face it – rough shaking and swinging movements when filming should be avoided anyway but probably more.For example, clicking almost a warning signal for rapid movements that can cause later in the contemplation of the filmed but a headache.So I do not understand the outcry of horror, haunted by the Board.It clicks when you move the camera more – so what?You hear it anyway unless it is otherwise hardly any noise.Camera steady = better picture and no click.Nevertheless a series of errors in production that should not be.

Fundamentally flawed at the Sony Nex 3-5 models I find the installation of lightning solved.This is a fumbling with Plastikklppchen on, wheels turning and flipping, which is cumbersome and prone.The problem with the Nex 5n – as mentioned many times – that not all batteries are accepted by other providers.What previously worked well with the Nex 5 runs, not necessarily at the Nex 5n.And of course the lens selection for the E-mount is still very weakly populated.This is likely the largest and most incomprehensible weakness of Sony’s market, so then many choose it for Olympus, Samsung, Panasonic, especially as the kit lens 18-55mm but is quite decent, but the sensor performance – especially from the Nex 5n – not justis.The 18-200mm is the most delicate body of the Nex, however a little monstrous.The available adapter LA-EA2 although the lens extended park, but first a little clunky and visually well done and secondly price used in the solid.

Conclusion: For me was worth all cases the ‘Hardware Update’ to Nex 5n.I photograph a lot in low light conditions and have to rely on the ISO 1600-3200 range.This brings the Nex 5n a whole lot more out.1.2 or 1.4 with manual lenses, I can still take good pictures there, where all other access to the flash.

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I had long wanted a compact digital camera and then move to a more recent and slightly more advanced model of a digital SLR camera.After I had long and hard on the Internet about the pros and cons of different models in its price class informed of 1,000 EUR and read all the reviews and opinions expressed in forums on the cameras, I decided on the Olympus E-510 in Double Zoom Kit.After I used the camera in different situations and tested extensively (outdoors in daytime and night-light, indoor shots with room lighting and candle light, etc.), I can draw a first conclusion: I am with the purchase of the camera fully satisfied andam of the opinion that the price-performance ratio of this camera is quite outstanding.

Here are some of my impressions:
The camera comes in a compact box, which in addition to a manual is also a DVD that includes a first crash course in handling the camera.This DVD is a good start, especially as not only the basic features clearly explained, but also practical tips are given which should be considered when taking photographs, to achieve good results.This DVD is rather aimed at beginners who have little experience so far gained with the SLR photography.Explains not only the various camera default settings are also the scene and exposure modes of the E-510, and basic relationships between aperture and shutter speed, white balance, determine the correct ISO settings, etc. The DVD has a running time of approximately 60 minutes and is well suitedto develop as an introduction to the handling of the camera quickly.If you served in between the pause button on the DVD player, you can try what is being shown the same even with the camera and understand.

Interesting and instructive for me were the comments on the white balance and the effects of the flash on image quality in indoor settings.After I have different settings and programs had tried E-510 I came to the conclusion that the image quality without flash is much better generally and to achieve even in low light situations (candlelight) great shots can, if we make just the right settings.

In total you have to experiment a bit with the camera before you made really good pictures.In any case, if one has little experience of SLR photography.Because the pre-programmed scene modes while allowing for an immediate ‘Right Away photography’, but the recordings are only really good if you look closer to dealing with the exposure programs that require certain skills and require some adjustments.However, making the experiment with a lot of fun and after a few hundred photos we have made enormous progress and internalize the most important tricks that make the images are significantly better.

The two in the Double Zoom Kit contains lenses cover a wide area and are of good quality.For the amateur it is well equipped with these two lenses and can get great shots.The great advantage of the Olympus E-510 is that the image stabilizer is not built into the lenses, but the camera itself in this way are the Zuiko lenses not quite as expensive as competing products where the image stabilization is built into the lens.

The Image Stabilizer has the great capacity to compensate for camera shake, resulting in longer exposure times fast without using a tripod.Gentle movements can shoot, resulting inevitably, if you hold the camera in hand, are absorbed by the image stabilizer, so that one stung even in indoor shots without flash sharp images.

The Live View monitor the E-510 is permitted to use the monitor as a viewfinder and the camera just like a standard compact digital camera use.I personally only use it when I shoot, for example, a photo of a frog’s perspective and I do not want to lie on the ground.Live View allows it to target the image on the monitor, which is very convenient because you can see the monitor even more good to the camera very low or very high above the ground holds over his head.However, overall I prefer the traditional viewfinder and use the monitor almost exclusively of other camera settings.This is also energy efficient and prolongs the life of the batteries.

The sequence mode allows up to 3 frames per second shooting.If you press the shutter permanently, so you can for example quickly snap 10 frames in a row in just 3 seconds.This feature is great if you would like to make about a group photo with more than one person, usually someone on their eyes closed.Due to the large number of pictures is then usually this one, on which all face the camera.

To the camera, I have a memory card from SanDisk Extreme III 4 GB memory bought.If you save the photos in a very high quality as a JPG, slightly more than 1,500 images fit on the card, which is absolutely sufficient.If you want to edit the photos in the port on the PC is recommended, however, a saving in RAW format.RAW is the original uncompressed format of the camera.With a 4GB memory card can store as about 260 photos.The advantage of the RAW format is that you can make using the software provided extensive rework and change things like white balance still on your PC, what with JPG files is possible on this scale.It’s really amazing what the PC can still be extracted from a RAW file.A very dark picture for example, can still clearly brighter and the colors can be improved without loss of quality.This is in JPG files are very limited.Storage in the RAW format is more suitable for professionals.For the amateur, the JPG photos absolutely sufficient and of excellent quality.

The performance of the battery is good.For normal use, a battery is sufficient.If you do not constantly use the monitor as a viewfinder, power-hungry, let easily with one battery charge several hundred photos shoot.The battery charging time is several hours, so you should think that ‘if one uses the camera often intense’ via a second battery.

A good accessory is also a tripod and a bag for the camera.There is a bag that is extra for Double Zoom Kit E-series and made room for the camera, which has two lenses and a spare battery and memory cards.

There is also a small book by Wolf-Dieter Roth titled “Olympus E-510″.The book describes the basic functions described again and said optimal camera settings for different situations (sunset, backlight, landscape photography, macro, portrait, etc.).The book is very helpful, especially since the included manual is not written to the camera so easy.The book is clearly designed more appealing.However, there is really only a brief guide, no detailed description.Especially for newcomers to digital photography so this may be the right choice.

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